The show must go on(line): Livestreamed concerts and the hyper-ritualisation of genre conventions

This paper examines audience engagement at livestreamed concerts, a form of mediatised cultural consumption that saw an immense growth in popularity during the COVID-19 pandemic. Concerts, as events that draw large groups of people with similar intentions, are the perfect location for the establishment of large-scale interaction rituals – moments of group behaviour characterised by a highly intense collective emotion. Furthermore, as social occasions, concerts are organised around a set of routine interactions that construct and define the collective experience. We argue that in moving online, the definition of the (concert) situation is highly impaired due to a context collapse. In comparing two distinct audiences (classical and Dutch popular music), the first aim of this research is to explore how these differing audiences adapt their cultural behaviour to the virtual sphere. Secondly, by adopting a microsociological perspective, we aim to broaden the theoretical understanding of virtual large-scale interaction rituals, an area becoming increasingly important due to the growth in online communication. This paper uses discourse analysis of the synchronised comments, left on livestreamed concerts on Facebook Live (n = 2,075), to examine the interaction between audience members. We find that both classical and Dutch popular music audiences use a form of hyper-ritualised interaction. In an attempt to combat the plurality of meanings online, they explicitly refer back to the central conventions of the face-to-face concert. This emphasises not only the significance of genre conventions, but also presents a form of virtual interaction distinct form interpersonal interaction.

CrossFit during lockdown. The promises and pitfalls of digitally mediated training for leisure-time physical activity

The COVID-19 pandemic led to nationwide lockdowns and rigid measures of social distancing in Denmark. Such a situation provides the unique opportunity to study interruptions in training routines and scrutinise the significance of physical attendance, face-to-face interactions and collective engagement for sport and leisure-time physical activity. Drawing on Randall Collins' micro-sociological theory of 'Interaction Ritual Chains', this article focuses on CrossFit – an activity, which is not only known for members' high-intensity workouts but also for a tight-knit community. Specifically, we explored how CrossFitters in Denmark made sense of and experienced the changes of their leisure practices throughout the COVID-19 pandemic. Semi-structured interviews with 20 CrossFitters recruited from different CrossFit boxes showed that not only activity levels but also emotional energy and group solidarity dropped considerably during COVID-19 as members lacked interactions within the CrossFit boxes which had been crucial for their participation before the pandemic. Notably, new training situations, specifically online workouts, could not replace the highly successful interaction rituals in the CrossFit box, which stresses the significance of face-to-face interactions for continuous leisure-time physical activity. In so doing, this article contributes to discussions about whether online workouts and digitally mediated communities can complement or replace physical training. [ FROM AUTHOR]

CrossFit during lockdown. The promises and pitfalls of digitally mediated training for leisure-time physical activity

The COVID-19 pandemic led to nationwide lockdowns and rigid measures of social distancing in Denmark. Such a situation provides the unique opportunity to study interruptions in training routines and scrutinise the significance of physical attendance, face-to-face interactions and collective engagement for sport and leisure-time physical activity. Drawing on Randall Collins’ micro-sociological theory of ‘Interaction Ritual Chains’, this article focuses on CrossFit – an activity, which is not only known for members’ high-intensity workouts but also for a tight-knit community. Specifically, we explored how CrossFitters in Denmark made sense of and experienced the changes of their leisure practices throughout the COVID-19 pandemic. Semi-structured interviews with 20 CrossFitters recruited from different CrossFit boxes showed that not only activity levels but also emotional energy and group solidarity dropped considerably during COVID-19 as members lacked interactions within the CrossFit boxes which had been crucial for their participation before the pandemic. Notably, new training situations, specifically online workouts, could not replace the highly successful interaction rituals in the CrossFit box, which stresses the significance of face-to-face interactions for continuous leisure-time physical activity. In so doing, this article contributes to discussions about whether online workouts and digitally mediated communities can complement or replace physical training. [ FROM AUTHOR] Copyright of Leisure Studies is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full . (Copyright applies to all s.)